As it stands, on the cusp of the approaching new decade, Netflix and the like are no different from the very structural constraints it sought to liberate us from.
Read MoreIs this one long metaphor for madness, or is The Haunting of Hill House just a very nuanced ghost story?
Read MoreBoth explore the line between truth and fiction: what differentiates beliefs from facts, and where does memory fit in all that?
Read MoreIt’s easy to think that Black Mirror operates on technophobia, but it has always been about people, and about how we misuse what we create.
Read MoreToo few shows illustrate that mental illness is not something that friendship erases, that love diminishes, that success eradicates.
Read MoreMartha’s role doomed her from the start: she was the rebound, for the Doctor and for the fans — and rebounds, obviously, never look good.
Read MoreTelevision shows have an invaluable opportunity, namely that of shaping the way children view the world, pushing them to question that which adults expect them not to.
Read MoreIn many ways, Skins was the teenager it was trying to portray: arrogant, defiant, so hell-bent on the shock factor that we were often left with a show where wild things happened, impressing no one.
Read MoreLane never gets the kind of actualization Rory benefits from in liberal heaps: while the latter was often rewarded for being a terrible person and doing tiresome things, I kept waiting for Lane to ‘get hers’.
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