The films oscillate between the dual poles of Love and Death: they aren’t perfect films — if we only observe them through this limited scope.
Read MorePop culture is drawn to the seething, simmering man on the edge, whose underlying violence could turn outward, at any given moment.
Read MoreCan films dealing with sexual assault afford to be nuanced and open to interpretation, when there are so many people looking for excuses and copouts?
Read MoreThe inherent message [is] heard loud and clear: high art and high fashion can be made from the most harrowing, most heartbreaking moments ... with no one pausing to consider the baffling disrespect of it all.
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